I was on a panel at Advertising Week Europe courtesy of my friend and longtime collaborator Cortney Harding.
Live to work or work to live? As members of the creative class and its extended circles, we’re especially familiar with the rhetoric around following our passions and loving what we do. But what could and should work look like in 2031? Can VR help create a more human-centered approach to labor, love, and life? Or will a robot from an artificial world take my job, my worker rights, and my dignity?